3 Steps Toward Writing Fearlessly

By Michelle Griep, @MichelleGriep

It’s okay to mess up. No, really. Not only am I giving you permission to crash and burn in spectacular glory, but you need to give yourself permission as well. Why? Because studies show that when you feel you are allowed to make mistakes, you are less likely to make any.

Sure, that’s easy to say, but how does it play out in the real world of writing? What exactly does it look like to write in a manner that is free from the fear of failure?

3 Steps Toward Writing Fearlessly

1 – Give yourself some time. 

When you start a new writing project, don’t expect to whiz-bang it out in a manner of weeks, especially if you’re taking some new risks in your writing (and you should always be taking some kind of risk). Don’t constrain yourself by expecting to create within a certain timeframe. This gets a bit more tricky if you’ve got an actual deadline, but even so, build some wiggle time into that looming date. That gives you space to correct mistakes that you will undoubtedly make. 

Example: I need to turn my next manuscript in by Feb. 1st. But I made myself a personal deadline of Nov. 30th. That way I can go back in and fix up the bugaboos without shifting into panic gear.

2 – Ask for help.

Nobody likes to admit they need help. It’s humbling . . . especially if you’ve made a mess of something. But don’t hide your mistakes. Share them with others who can help. Sometimes it really does take a village.

Example: The novel I’m working on is set in Upstate New York during the Colonial period. What the heck do I know about Colonial America? Sure, I’ve researched, but I’ve also got a few historical fiction buddies who are experts in this area. I’m not only asking them for help, I’m batting my eyelashes and adding a “pretty please with sugar on top.”

3 – Quit the comparison game. 

There are always going to be faster writers out there than you. But if you compare yourself to them, you’ll get all snarled up in feeling worthless. If comparison is a horrible habit you just can’t break, then compare yourself to yourself. Look at your performance this year and compare it to where you were at five years ago, or even a year ago. You might still be making mistakes, but are you making less? Are you improving?  

Example: I used to beat myself up for not being able to write more than a page a day. That count is in the rear view mirror. Now I can easily do 1500 in a day. That number still doesn’t compare to some of the rockstar authors I know, but I see growth and that frees me up to quit worrying about it.

Don’t stagnate in playing it safe to avoid making mistakes. Successful people take risks, even if it means they fail.

12 Days at Bleakly Manor

Imprisoned unjustly, BENJAMIN LANE wants nothing more than freedom and a second chance to claim the woman he loves—but how can CLARA CHAPMAN possibly believe in the man who stole her family’s fortune and abandoned her at the altar? Brought together under mysterious circumstances for the Twelve Days of Christmas, Clara and Ben discover that what they’ve been striving for isn’t what ultimately matters . . . and what matters most is love.

Michelle Griep’s been writing since she first discovered blank wall space and Crayolas. She is the author of historical romances: The Innkeeper’s Daughter, 12 Days at Bleakly Manor, The Captive Heart, Brentwood’s Ward, A Heart Deceived, Undercurrent andGallimore, but also leaped the historical fence into the realm of contemporary with the zany romantic mystery Out of the Frying Pan. If you’d like to keep up with her escapades, find her at www.michellegriep.com or stalk her on FacebookTwitter, or Pinterest.the next level.

Celebrating Our Authors

NovelRocket is proud to have such a high caliber of contributing authors.  We also like to celebrate accomplishments in the industry.

If you have been following our blog, you know that ACFW (American Christian Fiction Writers) Conference last weekend. The final evening of the conference is a gala where ten books published in 2016 are given a Carol Award, one award per category: contemporary, historical, historical romance, mystery/suspense/thriller, novella, romance, romantic suspense, short novel, speculative, and debut novel.

This year we had three contributors receive a Carol award.

Novella – Michelle Griep for The Doctor’s Woman

Romantic Suspence –  Lynette Eason for Always Watching

Speculative – James L. Rubart for The Long Journey to Jake Palmer

Congratulations! We are blessed to have you a part of the NovelRocket contributors.


@NovelRocket Celebrating Our 2017 Carol Award Winning Authors @MichelleGriep @LynetteEason @jameslrubart http://bit.ly/2fCgDnt

Congratulations to our @NovelRocket contributor @MichelleGriep on her Carol Award at #ACFW2017 #writing http://bit.ly/2fCgDnt

Congratulations to our @NovelRocket contributor @LynetteEason on her Carol Award at #ACFW2017 #writing http://bit.ly/2fCgDnt

Congratulations to our @NovelRocket contributor @jameslrubart on her Carol Award at #ACFW2017 #writing http://bit.ly/2fCgDnt

How to Write a Memorable Romance Scene

by Michelle Griep, @MichelleGriep

Nobody wants to admit to
reading romance novels. Those are for the trashy sort, the kind that hang out
in laundromats, the losers with awkward social skills who don’t have a hope of
ever snagging their own happily-ever-after. Right?
Wrong-o bucko.
Besides that statement
being politically incorrect and highly intolerant, it’s also a huge
misconception. In fact, romance novels are and have been some the hottest
selling books flying off the shelves. So rest at ease if one of your guilty
pleasures is snuggling up with a romantic tale. In fact, I just wrote a
kissy-faced scene today and had to stop and think about the actual nuts and
bolts of romance. And since I did all that brain work, thought I’d share . . .

4 Questions to Ask Yourself After You Write a Scene

By Michelle Griep, @MichelleGriep

Just because you’ve written a scene doesn’t mean you can pack away your computer and grab yourself a brewskie. Guess what, little writer? Your work is NOT done. There are some questions you need to ask yourself after each and every scene you write . . .

1. What was the conflict in this scene? Were the stakes dire enough?

If you can’t identify a conflict in your scene, delete it. Yeah, that’s harsh, but cut the fat and get to the lean mean story. No one wants to read about characters who don’t have problems. Readers want to punch those kinds of characters in the head.
Continue reading “4 Questions to Ask Yourself After You Write a Scene”