Edie Melson is the author of numerous books, as well as a freelance writer and editor. Her blog, The Write Conversation, reaches thousands each month. She’s the co-director of the Blue Ridge Mountains ChristianWriters Conference and the Social Media Mentor at My Book Therapy. She’s also the Military Family Blogger at Guideposts. Com, Social Media Director for SouthernWriters Magazine and the Senior Editor for NovelRocket.com. Connect with her on Twitter and Facebook.
Successful Writers NEVER Say
because I am one. So I speak from experience, not judgment. Like all creative
people, we tend to feel things more deeply, reacting poorly to criticism.
perspective at all when it comes to our own creations. Because a lot of us
begin writing as a hobby, we also seem to have a lop-sided view of the
like to clear up some common misconceptions and share some things that
successful writers never say.
guess…uh…I write. So…I
suppose that makes me a writer…sometimes. CUT. IT. OUT. If you are serious
about writing, even if you don’t get paid, you can call yourself a writer. So
repeat after me. “I am a writer.”
much better writer than the majority of the published writers out there. This is for the small percentage who
don’t have trouble telling everyone, “I am a writer.” Some of you believe you
know more than everyone else. I hate to break it to you, but you don’t.
putting words on paper (or a screen) a priority. If we want to be taken
seriously and have our time respected, we must set the example.
need to read books. I’m a writer, not a reader. Besides, I don’t have time to read. I am
not kidding. I’ve actually had writers tell me this. We need to spend time
reading, and reading widely. Read outside your genre and learn what works and
need an editor. I have a sharp eye and can catch anything I need to in my
writing. Yes, many of us
do have an editor’s eye. That’s a good thing. But that is NO substitute for an
editor. We are blind when it comes to our writing. We see what is supposed
to be on the page, not what is.
afford to attend conferences.
I know conferences are expensive, but they’re also vital to moving forward in
your writing career. There are a lot of ways to fund a conference—from asking
for money from family and friends instead of gifts for holidays, to writing
small articles for pay and saving that money. Conferences do three MAJOR things
provide a place to learn the latest industry standards and techniques.
provide a place to network and talk to writing professionals, like editors,
agents and published writers.
- They provide a
place to network with other writer.
to self-publish because traditional publishing just takes too long. I’m glad to say that self-publishing—when
done with professionalism—is now a respected option. Beyond that, there are a
lot of good reasons to self-publish. But using self-publishing as a short cut
is NOT a good reason.
have a target audience, everyone loves what I write. Every book has a primary audience. Yes,
there are books that a lot of people enjoy. But if you write to a specific
audience, you’ll have a much better finished product. Not to mention the fact
that book stores will know where to shelve your book.
don’t apply to me. Yes,
I’ll be the first one to agree that there are exceptions to almost every single
rule you ever hear about writing and/or publishing. BUT we can’t look at
ourselves as that exception. Follow the rules and let the exceptions be a
wonderful surprise if and when they happen.
first part of my book is just information the reader needs, the story starts on
page 70 (40, 60, 90, etc.).
I really have lost track of the number of times I’ve had an author say this to
me. Here is my response. If the story starts on page 70, that’s where your book
needs to start. Trust your reader, and trust yourself, and skip the background
a marketer, I’m a writer.
If this really is true and you absolutely refuse to market your work, then be
prepared to pay. You’ll have to hire someone to market your book because
marketing is a joint partnership between the publisher and the writer. That’s
just the way publishing works today.
publishing industry is dying.
No, not really. It’s definitely changing, but it’s not dying. There’s a
difference. Learn to adapt with the changes, but realize books and people who
write them aren’t going anywhere.
have a book contract, I don’t need a literary agent. Now you need one more than ever. There
are those who will argue this point, but here are my thoughts. Because of the
rapid changes in publishing, contracts are brutal. You need someone in your
corner, advocating for you. After the contract, you still need someone to help
with possible (really probable) hiccups in the publishing process. If you don’t
like your cover, or the copy editor isn’t doing a good job, your agent can be
the bad guy and go to bat for you. This makes it possible for you to stay on
good working relations with the publisher.
need to work on social media until after I have a contract. This is another that makes me cringe.
Editors and agents award book contracts based on a lot of things. Now days, one
of those things is whether or not an author has solid online presence. The lack
of a presence may not always keep you from getting a contract, but it will
affect the way you’re viewed by prospective buyers. Smart writers build an
online presence while they’re working on a book, so everything is in place when
they begin pitching.
Published authors don’t need to take classes or read books on writing. Successful writers know there’s never a
point when you’ve arrived. Lifelong learning isn’t just a buzzword, it’s vital
to stay current in the publishing industry.
slanted a lot of the points toward books, all are equally applicable to writers
of shorter works. These are things that I believe you’ll never hear a
successful writer say. I’d love to know what you’d add to this list. Be sure to
leave your thoughts in the comments section below.