Ruth Downie is the author of the
New York Times bestselling Medicus, as well as Terra Incognita,
Persona Non Grata, and Caveat Emptor. She is married with two sons and lives in Devon, England.
us a bit about your current project.
to SEMPER FIDELIS. It takes place during the building of Hadrian’s
Wall. I daren’t say much about it yet because I have a feeling it
may end up being very different to the way I expect.
your path to your first published book? Share some highlights
or lowlights from your path to publication.
some wonderful people, but after a few years I began to think that my inability
to write as fluently and confidently as everybody else meant I really
wasn’t a writer by nature and it was finally time to start facing
the housework. What I had written of the first Medicus novel
was destined for the bonfire. However… before it got there, I had
a phone call from the BBC to say I was a finalist in their short story
competition. This was a real shock – I’d only entered because some
of the group thought it would be a good exercise for us to try.
filming all the winners for a possible follow-up, asking them about
what they were writing. They’d been so encouraging to us all that
I dared not say, “Nothing, I’ve given up.” Instead, I rambled
vaguely about my Roman novel. “Great!” they said. “We’ll be
back in three months to see how it’s going!”
television. So I wrote. And wrote. And cursed and panicked and wrote
some more, and after a while I realised three months had long gone and
there was no word from the BBC. Apparently they’d decided not to make
the follow-up after all. But since I’d almost finished the book, it
seemed silly not to write the last chapters. My husband persuaded me
to send it to an agent I’d had some contact with before (I suspect
he didn’t want to think he’d suffered all that angst for nothing),
and to my amazement, the agent sold it.
in a particular area such as writers block or angst driven head-banging
against walls? Please share some helpful overcoming hints that you’ve
my desk. It contains the words, “…please know that we all battle
the usual feelings of frustration and insecurity, regardless of age
or experience. For me, writing has always been a process of working
through my self-doubt…” and later he says, “The good news is,
every time you smack into it, that wall gets pushed a little further
back… That’s why it’s important not to give into your fears and
doubts, and to keep writing…” I wish I could remember where I found
that quote. The man who wrote the screenplays for The Shawshank Redemption and The Green Mile still has doubts! That’s
of Art for anyone who shares my tendency to procrastinate.
is set and handle artefacts from the time (I’m never happier than
when down in the mud with an archaeological trowel) but in the end most
of the story ideas come from researching the Roman era and trying to
imagine how people went about their daily life. Often something will
recall a parallel in the modern world, and that’s the spark for the
moments you’d like to share with us, the ones wherein you get “the
look” from the normals? Example, you stand at a knife display at the sporting
goods store and ask the clerk which would be the best to use to disembowel
a six foot man…please do tell.
me sitting up in bed next to him, studying “Dreisbach’s Handbook
With the clarity of experience what advice
would you offer up to the wet-behind-the-ears you if beginning
this writing journey today?
writing and less worrying!
hassles (besides coffee or other substances, or course )?
this may not be apparent, as the first time I met a stranger who’d
read one I was so amazed that I didn’t know what to say!
How did you overcome it?
I’ve found that writing crime mysteries is a useful discipline because
you have to work from a question to a solution.
for all those lovely new research books.
plan have to be thrown aside when you get a better idea than the one
you had first. I haven’t yet found a way to get straight to the best
ideas without meandering through the ones that, up close, either don’t
look so good or don’t fit together.
you have saggy middles, soggy
drafts…if so, how do you shape it up?
and do try to avoid it, but sometimes I’ve gone too far the other
way, and set so many hares running that it’s a problem to catch them
all at the end. Conversely, I’m often asked to bring the crime nearer
to the beginning. This is the sort of thing that makes me value agents
and editors, who have years of experience in spotting where things have
gone awry, making a few thought-provoking suggestions and then leaving
you to find your own way to fix it.
share with us?
a very successful Book Swap evening along with a launch, so that everybody
got something new to read sort-of free and had a chance to talk books
in general rather than just having to make awkward small talk while
queuing up to buy from the author. Now that, to me, sounds like a fun