Award-winning author Vickie McDonough has lived in Oklahoma all her life, except for a year when she and her husband lived on a kibbutz in Israel. Vickie has had 18 books and novellas published, and historical Christian romance is her favorite genre to read and write. Vickie is currently the ACFW treasurer, and a founding member of WIN, an ACFW chapter in Tulsa, OK. She is a member of RWA, CAN, Women Writing the West, and OWFI. She is a wife of thirty-four years, mother of four grown sons and grandma to a feisty four-year-old girl. When she’s not writing, Vickie enjoys reading, gardening, watching movies, and traveling. To learn more about Vickie’s books, visit her website.
I’ve often been asked how I create the characters in my books and generally respond, “That’s a tough question.”
It is tough, because like a baby in a womb, a character will start as a tiny idea, then grow and develop as I spend more time thinking about him or her. They sometimes develop because of the plot. Say my character is a marshal—this is probably a good time to mention I write mostly historicals. A marshal is brave, tough, not afraid to put his life on the line, so it’s safe to assume he’s probably an Alpha male. Tall, strong, self-reliant, and a protector of the innocent. Can you imagine a Beta male as a marshal? Think computer geek with a gun. It reminds me of that old Don Knotts’ movie called The Shakiest Gun in the West.
I’m not saying you couldn’t have a Beta male as a marshal, but that would be a whole different type of story, probably about a man learning to conquer his fears to protect the people he cares for.
Some writers use character sheets with long list of questions to develop their characters, while others use tests like the Myers-Briggs or The Four Temperaments. What I’ve found that works best for me is a book called The Complete Writers Guide to Heroes and Heroines: Sixteen Master Archetypes by Tami D. Cowden, Caro LaFever, and Sue Viders.
The word “archetype” was coined by Carl Jung, who theorized that humans have a collective unconscious, “deposits of the constantly repeated experiences of humanity…. a kind of readiness to reproduce over and over again the same or similar mythical ideas….” This shared memory of experiences has resulted in a resonance of the concepts of hero and heroine that transcends time, place and culture. Jung called these recurring personalities archetypes, from the Greek word archetypos, meaning “first of its kind.”
Author Tami Cowden states, “These archetypes are not the inventions of my coauthors and me – they have existed for millennia. All we did was name and describe them, and then gather examples from an assortment of cultural media.
Heroes and Heroines promotes that there are 8 male and 8 female archetypes.
The Bad Boy
The Best Friend
The Lost Soul
The book gives a complete description of each archetype, including their strengths and weaknesses, which I’ve found extremely helpful in developing 3-D characters. The Warrior is an archetype I’ve used in several books, such as Luke Davis in The Anonymous Bride. Here’s a brief description of
The WARRIOR: a noble champion, he acts with honor. This man is the reluctant rescuer or the knight in shining armor. He’s noble, tenacious, relentless, and he always sticks up for the underdog. If you need a protector, he’s your guy. He doesn’t buckle under the rules and he doesn’t go along just to get along. Think Clint Eastwood in Dirty Harry, Russell Crowe in Gladiator, Mel Gibson in Braveheart.
You can see how this type of archetype would work well for a marshal, a determined rancher, or detective.
The Spunky Kid
The Free Spirit
An archetype I often use for a heroine—think of Jack (Jacqueline) in The Anonymous Bride—is The Spunky Kid. (For those of you who’ve read my book and are saying, Jack’s not the heroine—just wait until the third book comes out)
The SPUNKY KID: gutsy and true, she is loyal to the end. She is a favorite of many writers, and for good reason. You can’t help but root for her. She’s the girl with moxie. She’s not looking to be at the top of the heap; she just wants to be in her own little niche. She’s the team player, the one who is always ready to lend a hand. Think Meg Ryan in Sleepless in Seattle, Melanie Griffith in Working Girl, Mary Tyler Moore in The Mary Tyler Moore Show, Whoopi Goldberg in Sister Act, Fiona in Shrek.
So, after I’ve thought about my character some and what they will be going through during the storyline, their character begins to take shape. By then, I know which archetype they are and can use the book to help me develop them further.
Another aspect of Heroes and Heroines is that it shows you toward the end of the book how the different male and female archetypes will clash and mesh. This is fabulous info! Let me show you how I used this to plot a book I haven’t yet sold. It’s called Gabriel’s Atonement.
Gabriel is a gambler, and he’s a Chief archetype. He’s knows what he wants and goes after it. He’s decisive and can read people well. On the negative side, he’s stubborn, usually unsympathetic, and has learned to get what he wants by using the System rather than being a rule-breaker. He is well-liked among his peers, but doesn’t have a close friend. If challenged, he tends to be amused rather than angered.
Enter Leah, my heroine, who is—no surprise here—a Spunky Kid. She’s a single mother with a young child, a rebellious teen sister, and a grandfather who is ailing to care for. She is reliable and supportive of others and never looks for a handout. Her gutsy perseverance makes up for her lack of experience.
So…Gabriel has accidently killed Leah’s husband, and when he discovers the dead man has a wife and young son, he seeks to return the money he fairly won from the man. Leah doesn’t believe her no-account husband had any money and refuses Gabe’s help. He’s determined to help her whether she wants him to or not. Enter conflict.
He believes his work (gambling) is important, where she believes in God and family. But, when the chips are down, The Chief and Spunky Kid are there for each other. He realizes she is someone he can depend on, while she discovers he’s a man who follows through when others don’t. A grudging respect develops. He learns she can’t be bullied into doing anything she doesn’t feel is right, while her positive outlook on life and her humor bring laughter into his world for the first time in a long while.
I could go on, but I hope I’ve shown you how Heroes and Heroines can help you develop your characters. This isn’t the only book out there that writers find helpful, but it is the one I’ve used the most.
The key is knowing why your characters do what they do. What motivates them? Tami Cowden states, “Any archetype can do anything – the question will always be why.”
For a little fun, which archetype do you think these commonly known movie characters are?
Leonardo DiCaprio in Titanic
Harrison Ford in Raiders of the Lost Ark
Judy Garland in The Wizard of Oz
Kathleen Turner in Romancing the Stone
Leonardo DiCaprio in Titanic – Charmer
Harrison Ford in Raiders of the Lost Ark – Swashbuckler
Judy Garland in The Wizard of Oz – The Waif
Kathleen Turner in Romancing the Stone – Librarian
Check yourself into the Texas Boardinghouse Brides series by Vickie McDonough, where you’ll meet Luke Davis, marshal of Lookout, Texas, who flippantly tells his cousin he’d get married if the right woman ever came along. When three mail-order brides are delivered to Luke a month later, he’s in an uncomfortable predicament. How will he ever choose his mate? Rachel Hamilton’s long-time love for Luke is reignited with his return to town. So when three mail-order brides appear, she panics. Will she find the courage to tell Luke that she loves him? Or take an anonymous part in the contest for his hand?